本土化的伊斯兰风尚(下)——伊斯兰文化对明中期釉彩技艺的影响

INDIGENIZED ISLAMIC FASHION—THE INFLUENCE OF ISLAMIC CULTURE ON GLAZES OF THE MID-MING DYNASTY

所谓斗彩，即釉下彩与釉上彩的结合，运用于瓷器须先高温烧成釉下彩，再低温烧出釉上彩。此技术在中国最早见于金代中晚期。而在伊朗，一种称为“米纳伊”（Minai）的釉陶流行于12世纪晚期至13世纪早期，即是采用釉下彩和釉上彩结合的多次施彩的技术（图12），金代中晚期零星出现的斗彩，应是受其影响的产物。

An Islamic fashion prevailed in glazes of mid-Ming dynasty due to Islamic influence, but it was more indigenized as compared with that of Yuan and early-Ming dynasty. During mid-Ming, cloisonn and ＂Huiqing＂ Blue and white porcelain bore Islamic elements definitely; developed official over -glaze ware probably contained Islamic elements~ and the patterns on Zhengde porcelain crystallized the indigenized Islamic cultures.