汉至唐代的诗经图

A developmental study of the Book of Songs from Han to Tang dynasties

历代有不少以《诗经》为题材的绘画,或传藏于世,或记载于文献,其中宋代以前的诗经图现仅见于文献记载,而通过参照画史及诗经学史,分析相关文献,可勾勒出汉代至唐代诗经图的发展脉络。诗经图之缘起,可以追溯到左图右书,但据文献记载,汉代绘画因重视政教偏重经史故事画,《诗经》作为六经之一,才开始成为绘画的题材,及至魏晋南北朝,因绘画题材文学化和《诗经》名物学的发展,《诗经》成为画家最喜爱的题材之一,到唐代,诗经图发展减缓,只有成伯玙与程修己创作诗经图。

Drawings on basis of the Book of Songs can be found in historical archives or in the literature before Song dynasty.The writer attempts to offer a developmental sketch from Han to Tang dynasties.The early works take the drawings on the left and writings on the right hand on the same pages.Moreover,Han dynasty emphasizes more on politics than story,so the Book of Songs does not become popular until Wei,Jin,South and North dynasties owing to the literary theme,and norminalization.However,this declines by Tang dynasty when only Cheng Boyu and Cheng Xiuji draw on the Book of Songs.