从悖论诗学的视角考察杜甫诗歌艺术的意象组合

On the Characteristics of Images Combination in Du Fu's Poetry Viewing From Paradox poetics

今年是"诗圣"杜甫诞辰1300年,"杜诗学"研究领域理应努力通过当代中西学术的汇通和中西诗学理论的契合,以新的研究视角深入审视杜诗艺术的特质,不应视之为玄妙的"奇变"或"天机"。运用当前国内外文学批评界悖论诗学理论来考察,杜诗艺术在句法意象组合方面具有典型的诗学悖论特质,亦即前贤诗评家所谓的"新变"或"格变"。当代"杜诗学"的构建理应展开悖论诗学的新视阈,多层次地深入阐释杜诗艺术的奥秘与魅力,使之真正成为一门国际化的学问,以有利于在世界文化全球化的浪潮中增强中国传统文化软实力。

The year 2012 is Du Fu＇s 1,300th anniversaries.＂Study of Du Fu＇s Poetry＂ should review the unique characteristics in Du Fu＇s poems from the intersection and correspondence between Chinese and Western poetics theories.The distinctive composition of images in Du Fu＇s poems should not be concluded as originated from ＂clandestine inspirations＂ and ＂eccentric creativity＂.Appreciated from modern paradox poetics theory,the unique feature of the brand new images composition in Du Fu＇s poetry,which was regarded as ＂new change＂ and ＂style change＂ by ancient Chinese poetry commentators,is a typical case of what modern paradox poetics advocates.We should join forces in promoting ＂Study of Du Fu＇s Poetry＂ to an international realm and asserts the importance of the study of Du Fu as one part of increasing the ＂soft power＂ of Chinese traditional culture in current cultural globalization.