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协作的艺术—建筑与声学互动下的演艺建筑观众厅设计 被引量:2

THE DESIGN OF AUDITORIUM DEPENDING ON THE INTERAC TION BET WEEN ARCHITEC TURE AND ACOUSTICS
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摘要 本文通过对全球新建演艺建筑的案例分析,来探讨在现代声学技术支持下,观众厅设计的新方式。指出观众厅的设计是一个协作的艺术:建筑师的空间设计应以声学概念为起点;而声学顾问能因建筑师的大胆创意而激发出声学新概念。 By analyzing the cases of new venues around the world, this paper tries to illustrate the new design approach of auditorium depending on the modern acoustic technology. This paper paints out that the design of auditorium is a collaboration arts: the space concept of architects should start with the acoustic concept, while, acoustic consultants could inspire the new acoustic idea from the bold originality of architects.
作者 程翌
出处 《世界建筑》 2012年第11期100-103,共4页 World Architecture
关键词 演艺建筑 观众厅设计 建筑空间 声学技术 Performing architecture, The design ofauditorium, Architectural space, Acoustic technology
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参考文献8

  • 1程翌,向宁.艺术与技术的互动——格雷姆肖的伦斯勒理工实验媒体表演艺术中心[J].建筑学报,2009(11):49-54. 被引量:1
  • 2Fumihiko Maki.Sound and figure:Concert hall design[].conference proceedings form MCHA.1995
  • 3Robert E Apfel.Deaf Architect&Blind Acousticians-Challenges to Sound Design[]..1992
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二级参考文献5

  • 1Dennis Overbye, Art and Science, Virtual and Real, Under One Big Roof [OL], http:// www. Nytimes.com/2008/09/23/science/.
  • 2Innovative in Form, Pioneering in Function, An Experimental Media and Performing Arts Center Takes Shape at Rensselaer [OL], http:// empac, rpi. edu. news/2003/070501, html.
  • 3John Tusa, Transcript of the John Yusa In terview with Nicolas Grimshaw [OL],http:// www. bbc. co. uk/radio3, j ohntusainterview/ grismshaw_transprit, shtml.
  • 4Josephine Minutillo, And the award for the best sound effects goes to Acoustics get a starring role in the design of a new performing arts center[J], Architecture Record 2009(2): 100- 105.
  • 5Dennis Overbye, Art and Science, Virtual and Real, Under One Big Roof [OL], http:// www. Nytimes. com/2008/09/23/science/.

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