摘要
因北齐入隋的佛教高僧惠远而声名远播的晋城青莲寺是著名的风景胜境,融自然景观和人文景观于一体。但在以往的研究中,富含园林意匠的环境景观并未得到应有的重视。在梳理青莲寺景观的园林意匠渊源及其内涵变迁的基础上,对其空间结构和表现手法展开分析,揭示了"欲扬先抑"、"空间转换"、"巧于因借"等造园手法,并探讨了寺庙景观保护中划定保护区域的原则等问题。
Qinglian Temple is a famous scenic spot with natural and man-made landscapes in Jincheng city.But its landscape environment with poetic imagery has not been given much attention in previous studies.Based on the investigations of historical origin of its poetic imagery and development of its cultural meaning,this paper analyses the spatial structure and technique of expression of landscape environment of Qinglian Temple,and reveals such technique as ＂oppression before unfolding＂,＂spatial sequence＂ and ＂use of the setting＂,and discusses the scope of protection of the temple landscape.
出处
《新建筑》
2012年第6期117-119,共3页
New Architecture
关键词
青莲寺
寺庙景观
园林意匠
保护区划
Qinglian Temple
landscape environment of temple
poetic imagery of garden
scope of protection
