摘要
文章探讨了在1952—1954年间,在"一边倒"国策的影响下,梁思成将苏联的"社会主义现实主义"原则与自己对中国"民族形式"的倡导相结合的尝试。文章试图论证:深具矛盾的是,梁为中国社会主义新政权寻找合适的建筑表达的努力,实际上也是在向他已经于20世纪三四十年代摒弃的布扎折衷主义的回归。
This essay examines the years 1952- 1954, during which Liang Sicheng, under the national policy of ＇One-sided Alliance with USSR＇, attempted to combine the Soviet Union＇s Socialist-Realist principle with his own ideal of China＇s ＇National Form＇. The essay argues that Liang＇s struggle to devise a style suitable for China＇s new socialist regime, was paradoxically a return to the Beaux-Arts eclecticism that he himself had abandoned during the 1930s--1940s.
出处
《时代建筑》
2012年第6期130-137,共8页
Time + Architecture
