代言与自喻——魏晋弃妇诗文探析

Endorsement and Self Metaphor——Study on Deserted Wives Poems in Weijin Period

魏晋弃妇诗文既有代言体,又有自喻体,创作主体都为男性文人。从《诗经》、汉乐府民歌中的弃妇诗到魏晋弃妇诗文,"弃妇"这一概念经历了由实而虚的演变。在由实到虚的变化过程中,文人们由最初对弃妇的同情而渐渐转化为借弃妇以抒发内心的苦闷,最终导致逐臣—弃妇意象的生成,曹植继承屈原以香草美人喻君臣的传统,是这一意象的开启者。逐臣—弃妇意象的生成意味着弃妇问题由一个社会问题转变成了文人们的心灵问题。

The deserted wife poems in Weijin period had endorsement, and had also metaphor, the creation main body was the male scholar. From Book of Songs, the deserted wife poems in Han Yuefu folk songs to the deserted wife poems in Weijin period, ＂ deserted wife ＂ this concept had experienced evolution from the real to the imaginary. In the process from reality to virtual change, the people initially had the general sympathy and gradually transformed to express inner depression by deserted wives, e- ventually leading to Zhuchen--deserted wife image generation, Cao Zhi inherited Qu Yuan with patriotic and loyal to the throne Yu Junchen tradition, was the image of the opening. Zhuchen--abandoning the image generation meant the general problems from a social problem into the people＇s mind.