现代艺术批评如何起源?——澄清四种构想

How did modern art criticism originate?——clarifying four kinds of conceptions

近几年"艺术批评"成为广受关注的话题,笔者认为,从艺术批评起源之处入手也不失为一种接近庐山真面的路径。本文将澄清关于法国艺术批评起源状况的四种构想:"批评、""批评家"与"权威"的关系问题;是否批评在产生之初便是一种无功利的、纯审美范围内的、心存善意的、完全自足的活动;是否批评一产生旋即对应于专门的艺术刊物和职业化的活动;拉丰和狄德罗在何种意义上被称为"第一位"现代艺术批评家。通过上述问题的厘清,以期为认识和把握今天的艺术批评提供一种支持。

in recent years,Art criticism become a wide concerned topic.I think we can start from the origin of art criticism to close to the true face of criticism itself.This paper will clarify four ideas about the origin status of French art criticism: the relationship between 'criticism,' critics 'and' authoritative '; whether the criticism was a non-utilitarian,purely aesthetic,fully self-contained activities in its initial stage,; whether the criticism just generated and immediately corresponded to specialized art publications and professional activities; La Font de Saint-Yenne and Diderot in what sense is called a 'modern art critic.'Why Clarifying the above problem is in order to provide a support for the understanding and grasping of today’s art criticism.