重新审视蒙古族电影的界定——兼与海日寒先生商榷

Re-examining the Definition of Mongolian Movie——Debating with Professor Hairihan

本文通过对海日寒先生《新时期蒙古族电影的文化与艺术问题》一文中关于蒙古族电影发展与现状的不同见解,重在表现笔者对蒙古族电影的基本概念进行的思考,并通过《天上草原》、《嘎达梅林》、《黑骏马》等经典电影对此概念进行重新界定,同时针对蒙古族文化中作者和作品的"民族身份"进行重新阐释,意在提供一种新的思考角度。

This thesis is mainly about the thoughts of basic concepts of Mongolian movie,by the way of showing different pionts on development and present situation about Mongolian movie from the article of Professor Hairihan,with comparison of ＂Heavenly Grassland＂＂Gada Meilin＂＂A Mongolian Tale＂ to redefine,and also re-explain the ＂National identity＂ of writers and works in Mongolian Culture,intend to find new perspective.