摘要
张同道的《小人国》试图通过还原日常生活琐事来表现儿童社会的真实面貌。作为一部真实电影,《小人国》开创了人物与故事并重的纪实手法,对编导意识在创作理念、创作过程、影片内容等方面的渗透方式作了有益尝试。亲切平缓的语气节奏、明丽活泼的色彩格调、鲜活的个性化人物与故事,增强了影片的艺术感染力,吸引了受众。
Zhang Tongdao's Kids Kingdom tried to express the true appearance of children society through restoring the daily trivial matters of life.As a cinema verite,this film initiated documentary approach which focused on both figures and story,and made a positive attempt in permeating ways of the writing and directing awareness of creation ideas,creation process and film content.The gracious tone,mild rhythm,bright and lively color style,and vivid individualization of figures and story in the film all had enhanced the artistic appeal and attract the audiences greatly.
出处
《河北北方学院学报(社会科学版)》
2012年第5期34-37,共4页
Journal of Hebei North University:Social Science Edition
关键词
张同道
《小人国》
真实电影
编导意识渗透
互动的现实
Zhang Tong-dao
Kids Kingdom
cinema verite
writing and directing awareness
interacting reality