由陶器向乐器的过渡——玉门火烧沟出土陶埙再探究

From pottery to the musical instrument transition——Yumen Huoshaogou unearthed Earthen Xun study again

1976年,在甘肃玉门清泉镇火烧沟遗址中发现有二十多支陶埙,埙体多呈鱼形扁平状,均有三个按音孔(两肩各二,腹左下有一),据碳同位素14测定,为父系社会晚期至奴隶社会早期文化遗址,距今约近四千多年历史。火烧沟遗址出土陶埙,今人称火烧沟陶埙,自出土以来,火烧沟陶埙令音乐学界颇感兴趣和为之振奋,陆续发表了一系列极具考古价值的文章,得出了重要的结论和取得了骄人的成绩。本文在前辈学者研究的基础上,再次提出,火烧沟陶埙——中国埙乐器的过渡和重要发展说,且据对火烧沟的测音得出的一系列问题与音阶发展论提出了自己独到的见解。

In1976, Gansu Yumen town fire ditch ruins found in the more than 20branch pottery Xun, Xun body in fish shaped flat, there are three holes （two shoulders in two, abdominal left under a）, according to carbon isotopic de- termination of 14, as the patrilineal society of late and early slave society cultural sites, dating back some nearly four thousand years of history. Fire trench excavated pottery Xun, today called the fire trench from the unearthed pottery Xun, since, Huoshaogou pottery Xun makes the music academic interest and was excited, published a series of valua- ble articles, draws some important conclusions and achieved remarkable results. In this paper senior scholars on the ba- sis of the research, put forward again. Huoshaogou pottery Xun Xun--Chinese musical transition and important devel- opment, and according to the fire trench measured tone is drawn from a series of problems and scale development theory puts forward his own original opinion, his theory has deficiency, make expert peer criticism.