韩国古典美学范畴——“风流”

On Categories of Korean Classic Aesthetics“Romance”

20世纪80年代以后,"风流"作为一个美学范畴或文化范畴越来越成为学界关注和探究的热点问题。在美学层面上,"风流"作为一个具有浓郁的韩国民族本土化意味的美学范畴,绝对可以担负起韩国传统历史文化"原型意象"的角色。因为它不但具有明确的精神价值取向,而且还形成了相对稳定的日常生活范型;它不只对韩国文化哲学的形成与发展影响巨大,即便在今天依然潜在地影响与规定着韩国民众的思维方式及行为准则。同时,"风流"的理念与精神诉求一直是韩国文学艺术创作主导的价值取向。所以,我们有理由说,"风流"是韩国古典美学的主导范畴与基干范畴。

Since 80s of last century,'Romance'as an aesthetic or culture category has become a hot topic in Korean and other countries' literary field.In aesthetic sense,'Romance'as an aesthetic or culture category with strong characteristics of Korean nationalization can certainly take on the role of'archetype image'of Korean traditional history and culture.It not only owns clear orientation of spiritual value but also forms a steady pattern in daily life.It also has great influence on the formation of Korean culture philosophy.And up to nowadays,it still has the potential influence on the formation of island nations' mode of thinking as well as the norm of behavior.Meanwhile, the idea of'Romance'and the spiritual demand always become the value orientation of Korean literary and artistic creation.Therefore,we can say that 'Romance' is the main and key category of Korean classic aesthetics.