摘要
词曲二体于宋元二朝先后成熟,并发展至各自的艺术高峰,它们在盛行时间上前后接替,体制上极其相似,流传都十分广泛,其间有千丝万缕的承袭关系。南北曲曲调虽不是单一来源,但词调(包括民间词调、文人词调)无疑是曲调系统形成的重要基础。通过考察北曲、南曲对民间、文人词继承的不同情况,探讨南北曲曲调系统对词调的继承方式,发现北曲大多数来源于民间新生词调,继承文人词调者屈指可数;而南曲由于其体制天然与词相近,对民间词、文人词都有较多吸收,甚至民间南曲也受到了文人律词的部分影响。
Ci and the Yuan songs matured in Song and Yuan dynasty. They are developed to their peaks one after another. The frame of them are def- initely similar and at the same time, both of them are flowed to a large range. So it was not very hard to find that they have closely relationship. The source of Yuan songs was not single one, but Ci was obviously one of the most important sources. On the base of researching the inheritance of the Ci and Yuan songs, we can arrange the measure and ways of the inheritance of Yuan songs from Ci. And also we can find that the range of the inheritance are different between south tunes and north tunes.
出处
《兰州学刊》
CSSCI
2012年第6期87-92,共6页
基金
中国古代戏曲理论史通论
2010年度国家社科基金艺术学国家重点项目。(项目编号:10AB002)
关键词
词调系统
南曲
北曲
system of Ci' s songs
south tunes
north tunes