巴蜀古琴四人谈之三:何明威琴学访谈

Dialogues with Four Figures of Ba Shu Gu Qin School Ⅲ:Interview with HE Mingwei

巴蜀古琴是华夏琴学两千余年历史长河中极重要的一系支脉。汉唐时,蜀中琴风大盛且风格初成,琴家赵耶利以"吴声清婉,蜀声噪急"喻其快意之势。清中晚期蜀琴立派,径自绵延传承至今不坠。为呈现巴蜀古琴在当下新的历史环境中的整体传承状况、琴人群体、琴学发展与琴事活动,本刊邀请四川音乐学院音乐学系杨晓副教授对曾成伟、江嘉祐、唐中六、何明威四位古琴专家进行深度学术访谈,并以专题连载的形式共飨读者。透过对琴家们不同侧面的专题访问,我们希望为巴蜀琴学近百年来的发展变迁留下一段弥足珍贵的历史记忆。

Ba Shu Gu Qin School is a very important branch of Chinese Qin history of over 2000 years. In Han and Tang dynasties, the style of Ba Shu Gu Qin School primarily took shape, ZHAO Yeli stated ＂Wu is crispy and melodious, Shu is chirpy and irritable＂ to describe the developing tendency of it. From middle to late Qing dynasty, the School had been completely established, inheriting and developed till now. To present the status quo of its heritage, Qin Scholars, Qin Studies, and Qin Activities, we invited Associate Professor YANG Xiao of Sichuan Conservatory of Music to interview four scholars of Qin--ZENG Chengwei, JIANG Jiayou, TANG Zhongliu, and HE Mingwei, and made the interviews a serial column. With special interviews, we hope to make some effort on the study of Ba Shu Gu Qin School.