摘要
白朴的《梧桐雨》以正史所载天宝年间的事件为背景,广泛搜罗了杂史传记中对天宝遗事的记载,提取其中具有代表性的意象作为道具,扩充了故事的历史容量。同时,作家炼诗用典,使《梧桐雨》成为一幕婉转凄美的诗剧。《梧桐雨》直接脱胎于白居易的《长恨歌》,但撇去了对唐明皇沉溺美色的贬义,完全以"情"为线索,塑造了一个宠爱贵妃的痴情皇帝,成为一幕纯粹的"悲剧"。
The drama puts events happened in Tianbao years which were recorded in History normally as the background,collects the record from unofficial history and biography widely,then extracts the symbolic image as props to extend the history capacity of the story.At the same time,the author refines poetry and use allusion to make a beautiful and sad poetic drama.The drama is emerged from Everlasting Regret,but the author abandons the negative words and uses the love as links to figure a spoony man,and the drama become a tragedy.
出处
《牡丹江师范学院学报(社会科学版)》
2013年第1期1-3,共3页
Journal of Mudanjiang Normal University(Social Sciences Edition)
关键词
《梧桐雨》
天宝遗事
诗剧
悲剧
the Rain on the Chinese Parasol Tree
Tianbao Northern Ci-poetry
poetic drama
tragedy