摘要
经过20世纪五六十年代现代主义和70年代现实主义运动的洗礼,台湾诗歌80年代以后已进入诗思和诗艺的多元化发展时期。较之大陆诗歌长期重视"写什么",台湾诗歌更重视"怎么写",强调诗歌文体实验和探索精神。就诗歌艺术形式的变革而言,除了"图像诗"的视觉美学实验与"新格律"的新探索以外,台湾当代诗歌的文体革命取得了突破性成就,具体表现为文类边界的突破以及技术与诗艺的遇合。
Modernism in the fifties and sixties of the twentieth century and realism in the seventies of the twentieth century have provided an inspiration for Taiwan Residents poetry which entered a diverse stage in terms of poetic thought and poetic art after the 1980s. "What is written" is given more priority in Chinese poems, whereas "how to write" is emphasized in Taiwan Residents poems highlighting stylistic experiment and exploration. As far as the transformation of artistic form, stylistic revolution of Taiwan Residents contemporary poems constitutes considerable achievement, apart from vision and aesthetics experiment of image poems and exploration of meter. The breakthrough of literary boundary and integration of art and poetic art serve as an indication of this stylistic revolution.
出处
《闽江学院学报》
2013年第1期82-88,共7页
Journal of Minjiang University
关键词
台湾诗歌
文类跨界
录影诗
多媒体诗
电脑网络诗
Taiwan Residents poetry
literary boundary
video poems
multimedia poems
online poems