摘要
16世纪以来,浮士德题材在西方文学史中一直占据着重要地位,但对同一题材的书写往往变异多过继承。文章以德国歌德的《浮士德》和当时苏联布尔加科夫的《大师和玛加丽塔》为例,以主题、叙事、结构等多重视角展开分析,以呈现这种变异之所在。
Since the 16th century, the Faust theme has always played the important part in the history of western literature. But there is more variation than its inheritance when the same theme is written. With Goethe's Faust in German and Bulgakov's Master and Margaret in Soviet Russia then as examples, this article analyzes the Faust theme from multiple perspectives including theme, narrative, structure etc. to show the variation.
出处
《绥化学院学报》
2013年第2期72-76,共5页
Journal of Suihua University
关键词
浮士德
变异
主题
叙事
结构
Faust
variation
theme
narrative
structure