摘要
在中国古典文学作品中,男性用自己的生理需求和审美标准来诠释对女性的理解和期望,规范和约束着女性的精神、意志和身体,使女性沦为男性的附庸,失去自身存在的价值。但人类的生存和发展需要两性和谐相处和男女之间进行平等的精神对话与交流,于是,在浩瀚的文学典籍中便出现了一些为女性呐喊和描述女性自主意识苏醒的篇章。五四运动之后,轰轰烈烈的女性解放运动,伴随着民族解放运动的高涨而拉开了帷幕,作家们从不同的侧面和角度,深入发掘女性受压迫的根源,创造了一个又一个生动的女性文学形象,为女性解放运动的前行指明了道路。21世纪的女性解放运动,似乎不如五四运动时期那么轰轰烈烈,但在文学作品中,依旧浮现出女性在社会、职场和家庭等压力之下的呐喊与奋进的身影。
In Chinese ancient literature, men regulated the spirits, wills and bodies of the women from their own aesthetic standards and biological needs, which made the women lose their personal values and become dependent on men. But the progress and development of human beings needs the spirit communication and harmonious relationship between men and women. So authors of some classi- cal works advocated for the rights of the women, and created some self - relied and independent female images. After the May 4th Movement, the bloom of the National Liberation Movement is followed by the bloom of the Women Liberation Movement. Authors created more vivid female images to seek out the causes of women oppression. In 21st, under the pressure of society and family, modern women are in dilemma. But Women Liberation Movement still continues. Women continue to struggle for their rights and social positions, which reflected in some works.
出处
《南阳理工学院学报》
2013年第1期58-61,共4页
Journal of Nanyang Institute of Technology
关键词
女性形象
女性解放运动
女性压迫
话语权
female image
women liberation movement
women oppression
discourse right