2Erwin Panofsky, Albrsd Durer'Life and Art,Princeton, 1955 ,p. 9.
3Arnold Hauser, The Social History of Art, Vol.2. New York: Vintage Books, p.172,182.
4Erwin Panofsky, Studies in Iconology, New York: Harper & Row, Publishers, 1962,p.92.
5Gilles Deleuze,The Fold,Leibniz and the Baroque, trans.Tom Conley, Minneapolis: University of Minnesota Press, 1993, p.124, pp.27-38, pp.121- 122,p. 124,125,128.
6Maiorino Giancarlo,The Cornnucopian Mind and he Baroque Unity of Art, The Pennsylvania State University Press, 1990,p. 84.
7Gotthold Lessing, Laocoon.: An Essay Upon the Limits of Poetry Art and Painting, New York: Farrar, Straus, and Giroux,1969,p, 103.
8Irvin Lavin,Bernini and the Unity of the Visual Art ,Oxford University Press, 1980,p. 107,104,106.
Howard Hibbard,Bernini,p.138,134,134.
9Giovanni Careri,Bemini: Flights of Love, the Art of Devotion.trans. Linda Lappin, Chicago: The University M Chicago Press, 1995, p. 60.
10E. H. Gombrich, "Moment and Movement in Art, JWCI.No. 27,1964.
