摘要
Music Has No Grief and Joy(Sheng wu ai le lun)by Ji Kang(223～263)in the Wei and Jin dynasties is a systemized theoretical writing about musical aesthetics in Chinese musical literature. As to Ji Kang’s viewpoint 1700 years ago, whether its eloquent mode of thinking in depth, or challenge of Confucian aesthetics, or its extensive approach to the content and form of music, or individual thoughts of music’s aesthetic psychology and sound functions, are all worthy of our further study. It is no doubt that Ji Kang’s original should be intensively studied first of all by means of a fluent modern Chinese translation.
Music Has No Grief and Joy(Sheng wu ai le lun)by Ji Kang(223～263)in the Wei and Jin dynasties is a systemized theoretical writing about musical aesthetics in Chinese musical literature. As to Ji Kang's viewpoint 1700 years ago, whether its eloquent mode of thinking in depth, or challenge of Confucian aesthetics, or its extensive approach to the content and form of music, or individual thoughts of music's aesthetic psychology and sound functions, are all worthy of our further study. It is no doubt that Ji Kang's original should be intensively studied first of all by means of a fluent modern Chinese translation.
出处
《音乐艺术（上海音乐学院学报）》
CSSCI
北大核心
2000年第1期7-13,共7页
Art of Music(Journal of the Shanghai Conservatory of Music)
