试论即兴音乐创作——《依心集》的联想与解读

Musical Improvisation as Reflected in Yixin Ji

即兴音乐创作 ,在中、西方有着丰富的历史渊源和不同的文化背景并在音乐的发展长河中起着重要的作用 ,然而由于种种原因 ,人们对即兴音乐创作的看法往往失之偏颇 ,作为一种特殊的创作形式 (即创作的结果存在于创作的过程之中 ) ,其创作过程的“严肃性”(或说是思想整合的成熟性 )和创作结果的“不确定性”长期以来一直受到人们的质疑。本文受赵晓生即兴创作音乐《依心集》的启发 ,通过对这部作品的解读 ,试图表述一些个人对这些问题的看法 。

Musical improvisation, rich in historical origins and different in cultural contexts, plays an important role in the development of Chinese and Western music. However, people are prejudiced against it because, as a special form of creation (its results lie in its process), the “seriousness of its process” (or maturity of the integration of ideas) and the indetermination of its results have been questioned all the time. The author, inspired by Zhao Xiaosheng's improvising piano collections, Yixin Ji, tries to interpret it and hopes for an objective appraisal and application of improvisation.