略论鲁迅“日本视域”的转换

On the Transformation of Lu Xun's“Japanese Perspective”

青年鲁迅在日本度过8年,形成对日本深刻的观察和冷静的思考。在新文化运动中,鲁迅以"窃火"者的姿态,介绍日本进步文艺,号召国人向日本人学习。从1920年代后期起,鲁迅逐步接受唯物史观和马克思主义文艺理论,随后又鉴于日本对中国的侵略加剧,其"日本视域"明显转换,他不仅旗帜鲜明地对日本"支那通"及"转向"文人提出批评,而且对日本的武力入侵表示坚决反对,借鉴日本和反抗日本两种取向明显此消彼长。

Lu Xun formed the profound observation and calm thinking about Japan during his g- year＇s stay in Japan. In the course of the New Culture Movement, Lu Xun, as a ＂fire-thief＂, in- troduced the Japanese progressive literary and art into China; and after his comparison of the na- tional character between the Japanese and Chinese, he called on Chinese to learn from Japanese. However, since he gradually accepted the historical materialism and Marx＇s theory of literature and art, and as well as the fact that Japan started the war of aggression against China, from the late 1920, Lu Xun＇s ＂Japanese perspective＂ has been transformed obviously. He not only criti- cized those Japanese who were known as ＂know-China＂ and those ＂turning＂ literati, but also stood out against Japan＇s war of aggression. The relation between his two attitudes which were learning from Japanese and fighting the Japanese invaders, was that as one fell, another rose.