摘要
敦煌石窟艺术博大精深,现代构成理论与敦煌图案虽然相隔时间和空间的巨大鸿沟,可它们之间的艺术联系是必然存在的,这种联系为我们继承和利用古代图案艺术铺设了更广阔的舞台。
Dunhuang cave art is profound and extensive, looking completely different from the modern theory of structure formation in terms of time and space, but there is inevitably a kind of artistic relation between them, which have provided a vast space for us to inherit and make use of ancient pattern art.
出处
《新疆艺术学院学报》
2013年第1期24-28,共5页
Journal of Xinjiang Arts University
关键词
现代构成理论
敦煌图
案组织形式
Modern theory of formation
Dunhuang patterns
Structural form