摘要
“五四”后的新散文多阴柔,少阳刚之作。台湾余光中、王鼎钧、香港黄国彬等的创作改变了这种状态。黄国彬的散文如洪钟大吕,风格壮伟。本文以其一万多字的散文大品代表作《万里长城》为重点论述对象,通过文本细读,阐释黄作的风格。
New essays created after May Fourth Movement are more feminine and less masculine. The works of YU Guangzhong and WANG Dingjun from Taiwan and HUANG Guobin from Hong Kong have changed the situation. The essays written by HUANG Guobin are great. In the paper, the author explains the style of his works by interpreting his master piece the Great Wall.
出处
《苏州农业职业技术学院学报》
2012年第1期1-3,共3页
JOURNAL OF SUZHOU POLYTECHNIC INSTITUTE OF AGRICULTURE
关键词
黄国彬
散文
风格
HUANG Guobin
essay
style