中国先锋艺术思想史——先锋艺术的定义

PART ONE:THE THOUGHT HISTORY OF PIONEER ART IN CHINA—A DEFINITION OF PIONEER ART

总体上,中国的先锋艺术属于中国当代艺术的一部分。以其"超现代"、"超前卫"、"超主流"的规定性,中国的先锋艺术区别于当代艺术、前卫艺术、边缘艺术。本文按照基督教的关系神学的存在论,从关系美学的角度审视当代中国的先锋艺术就有如下的论题:人言关系(=人一言关系=个人与语言的关系)、人时关系(=人一时关系=个人与时间的关系)、人我关系(=人一我关系=个人与自身的关系)、人物关系(=人—物关系=个人与物质自然的关系、人与自然生命的关系、人与肉体生命的关系)、人人关系(=八一人关系=个人与他人的关系)、人史关系(=人—史关系=个人与历史的关系)、人神关系(=人一神关系=个人与上帝的关系),进而引申出当代艺术在语言、时间、灵性、物性、他性(社会中的他者)、史性、神性诸向度的表达。

In general Chinese pioneer art is a part of Chinese contemporary art. Because of the prescriptions of ‘trans-modernity＇, ‘trans-avant-garde＇ and ‘trans-mainstream＇, Chinese pioneer art is different from contemporary art, avant-garde art and marginal art. According to the ontology of Christian relation theology, there are the followingrelationships when we study Chinese contemporary pioneer art from the perspective of relational aesthetics： the relationship between man and language, man and time, man and the self, man and thing （the relationship betweenman and materials, man and natural plant, man and the flesh life）, man and man, man and history, and man and God. From these relationships the contemporary art gives expressions in the dimensions as language, time,spirituality, thingness, the other in society, history and divinity.