摘要
Located near the site of Weiyuan battery in Humen, backing the mountain and facing the sea, the Naval Battle Museum stands between the old battery group in the north and Lingding Ocean in the south. Occupying an area of 15 hectares, its first phase project takes a building area of 7960 square metres. It is a memorial architectural complex with strong historic significance, ideological content and artistic quality. In design thinking, it reflects historical topic, local characteristic and the spirit of the times as the target. With the main exhibition hall as the centre, it forms a normal axis with the Binhai Road and lets the space alignment spread in successive order started with the sea, along the viewing terrace, swearing square, Tongguan bridge, main exhibition hall and the administrative building. Using symbolic method to express various topics and letting architecture blend with historical relic and regional environment in complete harmony, thus, the project embodies the characteristics of the region, culture and the times.harmony,thus,the projectembodies the
Located near the site of Weiyuan battery in Humen, backing the mountain and facing the sea, the Naval Battle Museum stands between the old battery group in the north and Lingding Ocean in the south. Occupying an area of 15 hectares, its first phase project takes a building area of 7960 square metres. It is a memorial architectural complex with strong historic significance, ideological content and artistic quality. In design thinking, it reflects historical topic, local characteristic and the spirit of the times as the target. With the main exhibition hall as the centre, it forms a normal axis with the Binhai Road and lets the space alignment spread in successive order started with the sea, along the viewing terrace, swearing square, Tongguan bridge, main exhibition hall and the administrative building. Using symbolic method to express various topics and letting architecture blend with historical relic and regional environment in complete harmony, thus, the project embodies the characteristics of the region, culture and the times.harmony,thus,the projectembodies the character
出处
《建筑学报》
北大核心
2000年第7期I005-I008,共4页
Architectural Journal