摘要
彼特·格林纳威的电影充满了先锋色彩,《枕边书》秉承了他的一贯作风,不仅在拍摄手法上表现出颠覆传统的意图,在主题上也流露出挑战主流电影的男权话语模式的意图。但格林纳威在对这一话语模式进行颠覆的同时,却无意中落入了与之合谋的陷阱。《枕边书》中母亲经验的缺乏、女性自我抵制的遗失、视觉上对身体进行暴力切割,使影片有与男权话语合谋的嫌疑。
Peter Greeenaway's films are filled with Vanguard color. The Pillow Book shows his constant style. The film shows his intention to subvert tradition through shooting style and the intention to challenge ma instream movies' pattern of masculine discourse through theme. When Greenaway subverts this pattern of dis course, he falls into the trap of conspiracy with the traditional pattern by mistake. In the book The Pillow Book, the lack of mother experience, the loss of women's selfboycott, and visually cutting the body violently, make the film have suspicion of conspiracy with masculine discourse.
出处
《阅江学刊》
2013年第1期113-118,共6页
Yuejiang Academic Journal
关键词
《枕边书》
颠覆
合谋
The Pillow Book
subversion
conspiracy