摘要
《长恨歌》、《梧桐雨》和《长生殿》三部文学作品遵循了两大规律,即爱情与责任双线并行的文脉规律、爱情与责任双线汇聚生成结局规律。两者对立时悲剧发生,和解时成功团圆。而且这两个规律也通适于多数古代爱情作品。规律存在的根本原因是自由爱情的享有者与责任自觉的担负者必须是同一主体。两大规律的发现,既昭示了古代自由爱情通向现代爱情的必由之路,也使我们对当下文学研究以及创作中把爱情或责任,尤其是前者绝对化的趋势提出质疑。
Three literary works that include a song of unending sorrow,Indus rain and Palace of Eternal Life follow two rules. The first context rule means that the love i~ paralleling the responsibility.The second rule indicates the converge on the love and responsibility leads to the final result. The tragedy appears because of their opposition while the reunion produces if the love is compromised with the responsibility.The two rules applicate most of the ancient works with love. The fundamental reason of the rule existence is that enjoying the freedom of love and responsibility consciousness of the bearers must be of the same subject. The discovery on two rules shows that the route one must take the ancient freedom of love to the modem love,and alsothat we doubt the absolute trend of the love or responsibility in the contemporary literature research and the literature ,especially the former.
出处
《重庆社会科学》
CSSCI
2013年第3期82-87,共6页
Chongqing Social Sciences
关键词
李杨故事
文脉
爱情
责任
规律
The story of Li and Yang, context, love, responsibility, rules