摘要
文章从整体气势和结构态势上分析了中国画的构图规律,以"阴阳和谐对比关系"及"阴阳动势的主从关系"对构图形式进行了归类;以相辅相成的阴阳辩证关系分析了各种构图技法,对绘画者具有一定的参考价值。
The paper analyses the compasition law of Chinese paintings from the aspects of overall momentum and structaral state, categorizes the composition forms according to ＂the harmonious Yin-Yan contrast relations＂ and ＂the dynamic Yin-Yan master-slave relations＂ , analyses the com- positional methods with complementary Yin-Yan dialectical re＇lactions to provide reference for the painters.
出处
《太原理工大学学报（社会科学版）》
2013年第1期68-70,共3页
Journal of Taiyuan University of Technology(Social Science Edition)
关键词
国画
构图
规律
整体气势
结构态势
Chinese painting
compasition
law
overall momentum
structural state
