摘要
博物馆由具象的物体存放,逐渐发展成社会记忆的载体,从而完成了主客体之间的互溶,成为主体社会记忆与自我延续的载体。文章以个碧石铁路博物馆为例,分析个碧石铁路遗留物如何碎片式的构建人们的社会记忆、书写其自身的文化史,成为"自我"的物化符号,从而在物体经济价值消退后,如何善待历史遗留物,避免"自我"断裂式的发展。
Museum that put specific objects is gradually developing into a social memory carrier, which became the main body of social memory and self perpetuating carrier. Taking Gebishi railway museum for example, the paper analyses this railway museum how to structure people's social memory, write its own cultural history by exhibit and become physical sign of ego. we how to treat the historical survivals after the economic value disappearing and avoid the ego's fracture develonment.
出处
《红河学院学报》
2013年第1期18-21,共4页
Journal of Honghe University