摘要
在当代审美文化多元共生的语境中,各种艺术文本呈现出的全面低幼化、粗鄙化、欲望化和平面化表征促使我们开始将反思和批判的目光对准长期高居神坛的艺术受众。考察当代书写文本的受众——读者、视觉文本的受众——观众和大众审美文化的受众——消费者的内在景观与审美症候,揭示当代审美文化的堕落趋向和其广大接受者的精神病变之间的互为因果的关系,可以引起学界将关注的重心由审美文化的制作转向受众研究。
In the symbiotic context of contemporary aestheticism and cultural pluralism, a variety of artistic texts present a comprehensive picture of infantilization, vulgarity, desire and print, which helps us to have a reflective and critical look at the art audience. This paper examines the audience of the contempo- rary writing text-the reader, the audience of visual text the spectator, and the audience of mass aes- thetic culture consumer's inner landscape and aesthetic characteristics, which aims to reveal the fall of the contemporary aesthetic culture and the causal relationship between the former and majority of recipi- ents psychiatric disorders, thus causing the academia to shift their focus of attention from aesthetic cultural production to audience research.
出处
《中国海洋大学学报(社会科学版)》
CSSCI
2013年第1期123-128,共6页
Journal of Ocean University of China(Social Sciences)
关键词
艺术受众
多元审美文化
艺术文本
受众本位
个体建设
art audience pluralistic aesthetic culture art text public standard individual building