蛙、娃、娲——论莫言《蛙》中姑姑形象转变的三个阶段

Frog,Child,Mother of God——Study on Three Phases of Auntie's Image Transformation in Mo Yan's Frog

莫言《蛙》中塑造了一个复杂多义的乡村女医生形象姑姑。她的传奇人生演绎着一部历时六十年的中国民间生育史。根据其历时性的经历和反差型的人格,我们可以从蛙、娃、娲三个阶段分析她身上人性、魔性和神性的特点,并由此引发我们对于她身上承载着的历史与现实的诸多思考。

Mo Yan constructs a multiply meaningful image ofAuntie inFrog as a presentative of Chinese country women doctors. The protagonist’s legendary life well represents Chinese sixty years’ history of birth. From diachronic perspective, her personality transformation undergoes three phases, that is, frog, child and Mother of God, which respectively manifests her humanity, daemonic, and divinity, giving some insights into the past and present.