摘要
本文主要采用实证主义方法,从美学史的角度来研究晚年歌德的天才观对前人思想的承袭和发扬,同时借用新批评的细读法,通过文字分析和文本分析来发现歌德的原创性思想,并用综合法来揭示晚年歌德天才观的折中主义实质。
By positivism, this article mainly studies the adopting and development from the thoughts of ancestors about Goethe' s idea of genius in his later years from the aspect of history of aesthetic. By close reading of new criticism, it discovers Goethe' s original thought through word analysis and text analysis. It also reveals the eclectic essence of Goethe' s idea of genius in his later years by synthetism.
出处
《北京第二外国语学院学报》
2012年第12期49-55,共7页
Journal of Beijing International Studies University
基金
中国社会科学院外国文学研究所2012年重点项目"晚年歌德的美学"(2012F019)的阶段性成果
关键词
歌德
天才
神力
自然
人工
Goethe
genius
god' spower
nature
art