论《罗森克兰茨和吉尔德斯特恩已死》中的元戏剧手法

On the Meta-dramatic Techniques in Rosencrantz and Guildenstern Are Dead

汤姆.斯托帕(Tom Stoppara)在《罗森克兰茨和吉尔德斯特恩已死》(以下简称《罗》)中综合运用戏中戏、角色扮演、自我意识等元戏剧手法表现了人生的荒诞感。《罗》不仅继承和发展了荒诞派戏剧的主题,更对元戏剧形式作出了积极探索。

In Rosencrantz and Guildenstern Are Dead, Tom Stoppard represents the absurdity of life by using meta-dramatic techniques such as play within play, role-playing and self-consciousness. His work not only helps to widen and develop the theme of the Theatre of the Absurd, but also contributes to the experimentation of meta-dramatic forms.