摘要
中国传统景观建筑在与自然环境相谐合的处理中,依据的是"堪舆"、"风水学"的理论。"风水"的理论在功能上有符合"经济地理"科学因素的部分,这种科学因素的表达,不是通过莱布尼茨强调的"理智的沉思",而是以"艺术"的方式使人产生艺术的"形象""联想"。建筑设计则在此基础上,更为细化地使建筑、壁画、雕塑诸艺术相辅相成,融为一体。对于景观建筑而言,其理念核心仍不出儒家血统宗法思想框架下的"修身齐家"意义之外。
When handling the relationship with natural environment,the Chinese traditional landscape architects turn to feng shui as their priority choice which partly overlaps the economic geography.Therefore,the landscape architecture in China integrates kinds of art into one,including buildings,frescoes and sculptures.The design philosophy accords with the Confucianism's thoughts of cultivating one's moral character and managing the family's affairs well.
出处
《东南大学学报(哲学社会科学版)》
CSSCI
北大核心
2012年第5期87-90,121,共5页
Journal of Southeast University(Philosophy and Social Science)