摘要
罗雨对其精神轨迹的描绘,是从"出走"开始的。正是在"奔命"途中的主体性缺位,令以她为代表的"80后"知识分子,特别是"从农村走出来的和城市中家境不太好的‘80后’"画地为牢,深陷于此无法解脱,而催生出对远去故土的想象、对命运的控诉,对被异化的灵魂的进一步叩问,并走向"慢"和"静"的回归。
Luo Yu' s description of her spiritual experience begins with her '"departure" . It is the shortage of the subjective nature during their "struggling for survival" that makes the intellectuals after 1980s, especially "those of the generation after 1980s suffering from poverty and departing from the countryside" , who were represented by her, restrict themselves to a certain limitation just like jailing themselves without any break-through. Consequently, this results in their missing of their hometown, accusing of their destiny, doubting of their alienated souls and gradual returning to a sate of "being slow and quiet" .
出处
《梧州学院学报》
2012年第6期35-39,共5页
Journal of Wuzhou University
关键词
罗雨
出走
重构
回归
Luo Yu
departure
reconstruction
returning