论刘克庄的骈文理论与创作

On Liu Kezhuang's Theory and Creation of Parallel Prose

刘克庄的骈文理论注重探讨用典、属对、炼字等作文技巧。对于用典,首先是主张数量上的适中,其次要求"融化"。对于属对、炼字,刘克庄主张既要有新意,又要妥帖。刘克庄"启"体四六之创作,既有南宋的时代烙印,又有明显的个人风格。喜用今典、好用长联,体现了时代风貌;造语新警,自然灵动,呈现出"清新独到"之美,是其个人风貌。

Liu antithesis and refining Kezhuang＇s parallel prose theory focuses on exploring such composition skills as allusion, For allusion, the first claim is the moderate number, next, requiring ＂polishing＂. In terms of antithesis and refining, Liu Kezhuang claims for both novelty and appropriateness. Qi is the best in Liu Kezhuang＇s creation of parallel prose. His love for new allusion and long couplet embodies the style of the times ; preferring to creating new and natural style. language presents a ＂pure, fresh and unique beauty＂. That is his personal