摘要
巴托的艺术中心论与我们当下的生活经验并不相符。艺术与日常生活都有美的存在,具有灿烂的感性与特殊的意义。艺术与日常生活根节交错,艺术来源于生活,又反过来升华人们对生活的理解。虽然艺术之美比日常之美更纯粹,更难于理解,但二者并无高低之别。在"日常生活审美化"时代,日常生活借鉴了越来越多的艺术元素,而艺术服务于日常生活的功能也日益增强,艺术与生活之间的等级藩篱被打破,这应当视为社会文明的进步。
Bartok's theory of art as a center does not correspond to the present life.Beauties exist both in art and daily life.Art originates from life,but enhances people's understanding of life.There is no distinction as to which is better or worse,even though the beauty in art is purer than that of life.The development of our society is marked by the integrity of beauty in art and beauty in daily life.
出处
《渤海大学学报（哲学社会科学版）》
2013年第1期130-132,共3页
Journal of Bohai University:Philosophy & Social Science Edition
基金
广东省教育厅高水平科研项目(人文科学)(项目编号:396-GK100045)
