《文成公主》、《王昭君》合说

On Princess Wencheng and Wang Zhaojun

作为建国后30年历史剧创作的"双璧",田汉的《文成公主》和曹禺的《王昭君》都存在着外在冲突缺乏"社会性",内在冲突极其弱化,人物形象、语言动作过分"现代化"的问题。究其原因,前者是由于在领导、专家的一次次"支持与帮助"下不得已而为之,作者自己并不满意;后者则是作家20余年自觉、主动地"悔过自新"的结晶,也是在不擅长历史剧创作的情况下生硬地以古喻今结出的苦果。

Tianhan＇ s Princess Wencheng （ 1961 ） and Caoyu＇ s Wang Zhaoflm （ 1978 ） are have same problems such as external contlicts lack of ＂sociality＂, internal conflicts extremely weakened and the character images, the language and action are too ＂modernization＂. Investigate its reason, the former is composed under the routine＂ support and help＂ of the leadership and expert, the author himself is not satisfied;the latter is a crystallization of the writer＇ s more than 20 years consciously active ＂repenting and recommencing＂, also is a tailure writing attempt of drawing parallels from history under the condition of not good at writing historical play.