从多元并存的调性元素透视弗兰克的调性前沿意识——以《A大调小提琴与钢琴奏鸣曲》为例

An Insight Analysis of Franck's Frontier Ideology of Tonality from the Aspect of Multiplicity Coexistence——A Case Study of Violin and Piano Sonata in A Major

《A大调小提琴与钢琴奏鸣曲》创作于浪漫主义晚期,作品通过调性布局、调性扩张等手法对20世纪调性元素进行大胆试验,体现出作曲家对多元化调性元素探索的前沿意识,在一定程度上也预示了20世纪音乐的发展方向。

The master pieces of violin and piano sonata in A major was composed in the later period of romantic doctrine. By u- sing the composing techniques like tonality arrangement and tonality expansion, Ceaser Franck boldly attempted to try out the inno- vative tonality elements in the 20th century. Those composing techniques not only reflected the composer having a frontier ideology of tonality on its multiplicity, but also it indicated the direction for the 20th music in a certain extent.