摘要
主体和客体是文学创作中的二元,中国古代文论家把这两个要素称为"心、物",并对其进行了深入探讨和研究,形成了诸多的理论。其中最具代表和影响力的是物感说、移情说和心物交融说。我们认为,前两种观点只是涉及到创作过程中的某一方面或某一阶段而体现出整体上的不足,只有第三种才完全概括了创作的过程和内涵。
Subject and object are the two factors in literature creation.The ancient experts in literary theory regarded the two factors as Heart and Object, and probed them deeply until formed many theories,among which,theory of'feeling things",theory of empathy and integration between spirit and inanimate are representative.The former two viewpoints only relate to one aspect or certain stage in the process of literature creation,not the whole,only the third can cover the process and connotation.
出处
《临沂大学学报》
2013年第1期43-46,共4页
Journal of Linyi University
关键词
古代文论
文学创作
心物
关系
ancient literary theory
literature creation
heart and object
relationship