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无调性序列音乐作品视唱中的“调性因素”训练 被引量:1

The “Tonal Element” Training in Sightsinging Atonal Serial Musical Works
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摘要 无调性序列音乐作品中"无调性"的纯粹程度根据作曲家及作品的个性表达是不尽相同的,甚至有为数不少的作品中隐含有或多或少的"调性因素"。对于此类作品的视唱,我们就可以用以往相对较为熟悉的调性音乐的些许训练方法来进行辅助性的训练,即是以熟悉的方法解决相对陌生的问题,主旨在于化繁为简。本文对此类隐含有"调性因素"的无调性音乐作品进行了举证、分析及训练方法的阐述。希望以此有针对性的丰富我们对无调性序列音乐作品视唱的训练途径。 The purity degree of "atonality" in atonal serial music works differs a lot according to different composers and their works. Even quite a few works imply "tonal el- ement" to some degree. For sightsinging this kind of works, we can use our relativ- ely familiar tonal music training method as an auxiliary way, i.e. using familiar method to solve relatively strange problems. The purpose is to simplify complicated matters. As far as this kind of works is concerned, this thesis makes an enumeration and analysis, and also expounds some training methods. The author hopes this tar- geted discussion will enrich the training methods for sightsinging atonal serial mu- sical works.
作者 唐俊岩
出处 《乐府新声(沈阳音乐学院学报)》 CSSCI 2012年第4期139-144,共6页 The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
关键词 “调性因素” 调式音阶 小三和弦 属-主解决关系 "tonal element" / mode scale / major, minor triad / dominant-tonic resolution rela-tionship
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