摘要
20世纪50至70年代的合作化小说叙事中被嵌入了强势的主流权力话语,致使合作化小说叙事在很大程度上背离了文学创作的审美特性,文学自身的主体性被剥夺而处于被政治意识形态压抑和规训的状态。但是,这又不能一概而论,在赵树理、周立波等少数作家笔下还是能够发现其小说创作中潜隐着与主流话语相龃龉的"民间"话语。从而在合作化题材小说叙事话语中呈现出了一定的复杂性与"潜在"的张力结构。
Collaborative fiction narration from 1950s to 1970s was embedded in the strong mainstream discourse of power,resulting in the 'deviation' from the literary aesthetic characteristics,The subjectivity of literature was deprived and it was under political ideological oppression not all writer kept the same.There were'folk'discourses which conflicts with the mainstream discourse in the worles by Zhao shuli and Zhou libo,etc.Thus,narrative discourse of collaborative fiction shows a certain complexity and potential tension.
出处
《佳木斯大学社会科学学报》
2013年第1期104-106,共3页
Journal of Social Science of Jiamusi University
基金
2012年度黑龙江省教育厅人文社科基金项目:"1950至1970年代合作化小说叙事研究"(12522107)
关键词
合作化小说
叙事成规
叙事话语
裂隙
collaborative fiction
narrative convention
narrative discourse
crack