“应目会心”之理论内涵、经学渊源及影响——宗炳绘画美学命题探微

An Exploration of Zong Bing’s Painting Aesthetic Proposition

宗炳《画山水序》提出的"应目会心"说这一重要画论命题揭示了古代绘画创作的基本原理,不但具有丰富的理论内涵,而且具有切实的应用价值。"应目会心"说的形成受《周易》"观物取象"说、"立象尽意"说及《乐记》"感物说"、"心本论"的影响,因而其思想渊源是儒家经学。"应目会心"说作为经典画论命题,对后世的绘画创作和理论都产生了深远影响。

The important painting proposition of ＂What is seen in the eyes is well understood in the heart＂ by Zong Bing in his Landscape Painting Preface reveals the basic principles of the ancient painting, which is not only theoretically connotative but also of much practical value. The theory was supposed to be inspired by the ideas in the Book of Changes and Music and thus their thoughts originated from the Confucian Classics. The proposition, as the classic painting theory, has had a far-reaching influence on the later painting creation and theory.