摘要
2012年9月,王澍、陆文宇携"瓦剧场"亮相柏林,这座以编木拱桥这种传统木构技术为原型搭建的装置作品将用于2006年威尼斯双年展"瓦园"的六万片老瓦带到柏林。在这个叙事感很强的设计中蕴藏着王澍的设计思考及习惯,通过对其分析有助于对王澍建造哲学的解读。
In the September of 2012, Wang Shu and Lu Wenyu struck Berlin with the ＇Tile Theatre＇. This installation work which constructed by the Chinese traditional woven timber arch bridge technique brought 60, 000 tiles which showed on the 2006 Venice Biennale for the ＇Tile Garden＇ to Berlin. Within this narrative conception, the installation reflects Wang Shu＇s thoughts and habits toward design work. Through the analysis of this work it is possible for us to interpret Wang Shu＇s philosophy of construction.
出处
《建筑师》
2013年第1期92-97,共6页
The Architect
关键词
瓦剧场
瓦
编木拱
王澍
中国性
Tile Theatre, Tile, Woven Timber Arch, Wang Shu, Chineseness
