摘要
本文通过对王澍作品的解析,阐述其在多个层面具有的戏剧性特征。王澍的建筑继承了中国古典园林的精髓,具有空间的戏剧性。王澍独特的建筑形象和浓重的材质表达,具有图像的戏剧性。王澍对于传统材料的创新使用,具有建造的戏剧性。在当代中国,我们要以戏剧性来抵抗商业文化和奇观文化的冲击,探索中国的建构文化。
According to the analysis from Wang Shu＇s projects, the essay illustrates the characters of Diverse Theatricality. Wang Shu＇s buildings have the theatricality of space with the essence of Chinese classical gardens, the theatricality of image with the unique appearance and the strong expression of materiality, the theatricality of construction with the innovative using of traditional materials. We need the theatricality to resist the commercial culture and spectacle in contemporary China, and explore the tectonic culture of China.
出处
《建筑师》
2013年第1期104-108,共5页
The Architect
关键词
戏剧性
空间
图像
建造
抵抗
Theatricality, Space, Image, Construction, Resist
