摘要
淮河花鼓的起源研究歧见迭出,又尤以民间传说论最被轻视。作乐舞以颂禹治水之功,涂山氏南音之始,夏启奢乐自娱以及楚国多巫好舞是淮河花鼓民间起源传说的文化前提。借此文化和艺术的切近与关联性,呈现淮河花鼓民间传说所引发的原初艺术景观。
Researches on the origin of Huaihe Huagu have not reached in agreement, in particular the folklore theory is mostly undervalued. Dance and music making to praise Yu＇s contribution, Tushanshi＇ s beginning of song, excessive self-entertainment of Xiaqi and Chu＇ s passion to ritual dance can all be seen as the cultural backgrounds and artistic premises of Huaihe Huagu. Based on the cultural and artistic relevance, we may find the primeval artistic perspectives of Huaihe Huagu＇ s folklore.
出处
《北京舞蹈学院学报》
北大核心
2013年第1期56-59,共4页
Journal of Beijing Dance Academy
基金
"复旦大学重点学科创新人才培养计划"阶段性成果
