论小说陌生化之生成--从叙事意图的矛盾逻辑说起

The Topic of Generating A Novel’s Defamiliarization——Beginning with the Contradictory Logic of the Narrative Intention

陌生化的概念早已不陌生,然而用叙事哲学(意图叙事理论)说明小说的陌生化何以生成,却是一个颇诱人的新话题。用意图叙事理论分析情节的本质,发现情节是一个最基本的意图叙事序列,意图及其实践过程规定着情节的类式。读者、外叙述者对内叙述者(核心人物)意图实践过程复杂、曲折、新奇的企求是小说陌生化生成的根源与动力,然而却与其简洁、顺畅、明了性企求构成矛盾逻辑,并在叙事中表现为延宕与压缩两大手段。延宕叙事产生的陌生化效果与压缩性叙事所达到的空灵性、神秘化效果,一起构成了小说情节引诱人的巨大张力。

Although the concept of defamiliarization has been no longer stranger, it is an attractive topic to explain how a novel＇ s defamiliarization generates with the narrative philosophy - intention narrative theory. Firstly, this essay analyzes the essence of the plot with the intention of narrative theory, and finds that the plot is a basic intention narrative sequence, and the intention and its practicing process set the type for the plot. The complex, tortuous, ever - changing influence of the readers, outsides narrator to inside narrators who are central figures and intention practicing process is the cause and power generating novel defamiliarization, but it is contradictory with the desire of their simple, smooth, straightforward nature, which reflects the two major means of delaying and compression in the narrative performance. The effect of defamiliarization which generates from delaying narration and the ethereal and mysterious effect which is from the narrative compression constitute the fictional huge lure tension.