莫言小说中的病态隐喻

The Morbid Metaphor in Mo Yan′s Novels

莫言小说中的神秘意象、奇诡想象带有病态化审美趋向,这历来是评论家们争论的焦点。莫言小说中的病态化审美倾向是民族集体文化心理积淀而成的一种审美范畴,同时也表征了鲁迅沉痛批判国民性的小说精神的遗失。另外,莫言在文人商品化的过程中,对"写什么"、"为谁写"、"给谁看"问题的矛盾之处也成为其病态化审美倾向的渊源。

The mysterious imagery and bizarre imagination found in Mo Yan’s novels indicate a morbid aesthetic tendency,which has always been the focus of critics’ discussion and falls into an aesthetic category accumulated by national collective cultural psychology.It also represents the loss of Lu Xun’s novel spirit in his painful criticism of the national character.Furthermore,in the commercialization of writers,the morbid aesthetic tendency of Mo Yan’s novels is originated from such problems he is met with as ＂what to write＂,＂Whom to write to＂,and ＂whom to write for＂.