摘要
《笨花》在回望乡土历史时出现疏离和冷落启蒙现代性现象,呈现出价值层面的革命理性认同、思维层面的对抗性消解及艺术层面的本土性回归等。这既与作者早年所受的革命理想教育及父系家族精神资源的启动有关,也是作者的乡土情感及其去主体性的思维价值设定所决定的,因而给其创作带来了一些审美遗憾。
The ignored and neglected enlightenment modernity conveyed in Ben Huawhen it looks back on its local history reveals the author＇s appreciation of the revolutionary rationality in values, the disappearance of antagonism in thinking, the return to indigenous identity in art, and the like. This is not only related to the education of revolutionary idealism and the startover of patrilineal family spiritual resources the author received in his early days, but also decided by his attachment to his hometown and his stated de-subjectivity thinking values. However, it has also resulted in some regrets to his work in aesthetics.
出处
《苏州科技学院学报（社会科学版）》
2013年第1期19-24,共6页
Journal of University of Science and Technology of Suzhou:Social Science
基金
江苏省高校哲学社科项目"20世纪90年代后中国小说中的乡村历史叙事研究"(2012SJD750011)
关键词
《笨花》
启蒙现代性
革命理性
对抗性
本土性
Ben Hua
enlightenment modernity
revolutionary rationality
antagonism
indigenous identity
